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TransAudio Group
Las
Vegas Pro Audio
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702-365-5155
702-365-5145 (fax)
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Manufacturer websites:
A Designs
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Audio
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Digital Audio
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True Systems
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|  P-Solo  
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The P-SOLO is
a
single channel version of the acclaimed TRUE Systems’ family of microphone
/ instrument preamps. While sporting the same design and sound of the TRUE
Systems Precision 8 and P2 Analog preamps, this compact, single channel, desk-top
version features:
• Natural, musical, highly-detailed soundfield
• Complete compatibility and superior results with any mics – condenser,
dynamic, and ribbon
• A totally balanced, dual servo, high dynamic range, transformerless design
• Internal linear AC power supply for excellent transient response
• High impedance instrument input
• High-pass filter and 48v phantom power
• Dual analog outputs
• Four-level metering
• Over-size volume control with selectable 10db input level attenuation
• Compact, portable, solid desk-top case
Unlike many other mic preamps where the lower-cost versions come at a big cost
to the sound, the P-SOLO is, in every regard, a TRUE Systems microphone preamp,
offering the “high-end mic pre” quality at an affordable, entry-level
price.
Tim Spencer, CEO for TRUE Systems and designer of the TRUE Systems’ Mic
Preamps states: “Our goal was to design a single-channel mic preamp that
provides high-end sonic performance at a cost-effective price for the serious
musician or recording engineer. We want to put the same quality of product used
on Grammy-winning recordings and major concert tours, into the hands of an entirely
new audience. We feel that we have achieved, if not exceeded this goal. The P-SOLO
is perfect for studio and location recording, and live sound applications – wherever
a microphone is used. And not only that, its instrument direct input feature
provides exceptional articulation, presence and depth when an instrument preamp
is needed. The P-SOLO is designed to provide stunning sonic detail, with a
neutral, musical character, capable of delivering outstanding performance in
every situation
we could think of.”
SPECS
Gain (microphone): . +16 to +64 dB. Gain is +6dB with Input Attenuation activated.
Gain (direct input): -4 to +44 dB. Gain is -14dB with Input Attenuation activated.
Frequency Response (gain=40 dB): 1. 5 Hz to 500 kHz (+0/-3 dB)
Maximum Output Level: +31 dBu
Maximum Input Level: +25 dBu
Input Impedance (microphone): 5. 5 kOhms
Input Impedance (direct input): 2 Mohms
Noise (Rs=0 Ohms): -132 dB e. i. n.
Slew Rate: > 40 V/uS
CMRR (CMV=+10 dBu): 85 dB
THD (+26 dBu, 100 kOhm): 0. 0008%
Power Requirements: 115/230VAC, 50/60 Hz, 7 Watts
Knob extension: 0. 6 in. (15. 3 mm)
Weight: 5 lbs. (2. 3 kg)
Dimensions:
W=3. 0 in. (76. 2 mm)
D = 6. 0 in. (153 mm)
H = 6. 0 in. (253 mm)
Download p-SOLO one Sheet
See the review in PSN
Typical performance. Specifications subject to change without notice.
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Introducing the P-SOLO Ribbon
A proud new member of the TRUE Systems product line of precision mic preamps.
THe p-solo ribbon is specifically designed to get the absolute best
results from both new-technology and vintage ribbon microphones (and
for that matter, dynamic mics also).
The p-solo ribbon features the same design as all true systems preamps, but with
no phantom power (potentially dangerous to most ribbon mics), no capacitors in
the
signal
path, even higher input impedance and higher gain capability.
Whether you're recording Bach or rock, every time a ribbon mic is used, choose
the same preamp preferred by many professional musicians, engineers and producers
for critical studio, location recording and live sound situations.
P-Solo
Ribbon Data Sheet
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P2analog


M/S Decoder
and Phase Correlation Meter |
The P2analog is
designed to provide detailed, transparent sonic performance necessary
for the most critical direct tracking and live sound applications.
It includes a unique combination of functions that make it useful as
a complete input system for standalone or PC-based recording systems.
And, the P2analog has special features that provide the serious musician
or recordist with useful tools to get the best sound more quickly and
easily.
In addition to our acclaimed microphone inputs, the P2analog features two instrument
direct inputs (DIs) offering sonic performance previously thought to be available
only with dedicated, high-end DIs. You'll get incredible articulation and control
for electric bass, detail and smoothness for stringed instruments and punchy,
clean sound with keyboards.
Even with today's emphasis on powerful digital audio platforms and software
plug-ins to perform signal-processing tasks, the issue of microphone placement
remains a critical variable in determining the quality of your final sonic
product. The P2analog incorporates powerful features that assist you in achieving
optimum microphone placement for nearly any stereo recording situation.
FEATURES:
• Ultimate
sonic performance for critical recording and sound reinforcement
• Two active high-impedance DIs - comparable to high-end dedicated DIs
• M-S (Mid-Side) Decoder for creative spatial image control
• Stereo Phase Correlation Display speeds effective mic positioning
• Selectable high-pass filters
• Relay-switched signal routing
• Dual gain range
• Solid construction - with striking, machined front panel
DESIGN APPROACH
Rear panel input
and outut connectorsP2analog features a high-voltage composite architecture
with discrete devices plus integrated circuits. The totally balanced,
dual servo, dc-coupled design provides exceptional transient response,
head room, imaging and noise performance. Military grade, hand-matched
components are utilized in critical circuit areas. All signal switching
is done via hi-reliability gold-contact relays in order to maintain
an extremely short signal path. These design features result in the
transparent, detailed sound quality for which TRUE preamps have become
known.
SPECS:
Gain (microphone): 3.5 to 52dB and 15.5 to 64dB
(dual range)
Gain (direct input): -16 to 32dB and -4 to 44dB
Frequency Response: 1.5 Hz to 500kHz (-3dB)(gain=40dB)
Maximum Output Level: +31 dBu (+27 dBu in low gain
mode)
Maximum Input Level: +15 dBu (+25 dBu in low gain
mode)
Input Impedance (microphone): 5.5 kOhm
Input Impedance (direct input): 2.5 Mohm
Noise (Rs=0 Ohms): -132 dB e.i.n.
Slew Rate: >40 V/uS
CMRR (CMV=+10 dBu): 85 dB
THD (+26 dBu, 100 kOhm): .0008%
Front
Panel Detail
Download
Operation Manual
Download
Brochure
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Precision
8

P8i(International)
with External Power Supply 
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The Precision
8 is designed to provide the detailed, transparent sonic
performance necessary for the highest quality direct tracking and
live sound applications. It includes a unique combination of features
which make it useful as a complete input system for MDM's, HDR's,
and DAW's. Two sonically accurate discrete FET instrument inputs
(DI's) are available for recording or live sound applications in
which realistic, unaffected sound quality is desired. The 5-segment
peak-hold level metering with selectable peak reference allows rapid
optimization of program levels between the PRECISION 8 and devices
to which it is interfaced.
PRECISION 8 is ideal for location recording due to its 8-channel single rack
unit format, smooth continuous gain controls, useful level metering, and easy
interconnect. The integral MS decoder provides creative spatial image control
that is particularly useful in attaining an exciting stereo image with minimum
effort and microphone repositioning.
With the emphasis shifting to digital audio platforms and modular configurations,
software "plug-ins" are replacing many outboard signal processors.
Other than the microphone itself, the microphone preamplifier is the most
significant analog device remaining in the signal chain. PRECISION 8, with
its sonically
pure design, simple-to-use features, and unparalleled cost/performance value,
is the ultimate solution for state-of-the-art digital recording studios and
project studios.
The P8 also comes in an international version, the P8i, which includes a
specially designed external power supply.
FEATURES
• Eight highly
transparent solid state microphone preamps in a 1 unit rack configuration
• Challenges the recognized leaders in sonic accuracy and performance
• Built-in M-S (Mid-Side) decoding for creative spatial image control
• Active, high-impedance instrument inputs ("DI's") selectable
on two channels
• 5-segment level indicators with peak-hold feature and selectable peak
reference
• Smooth continuous gain controls
• Easy interface to MDM's, HDR's, DAW's, or consoles
• Dual DB25/TRS outputs for flexible interconnection
• Elegant, sturdy physical design
• Exceptional cost per channel value
DESIGN APPROACH
PRECISION 8 uses
a high-voltage composite architecture with discrete devices plus integrated
circuits. It offers very low noise and distortion as well as high headroom.
The totally balanced dual-servo design eliminates nearly all capacitors
in the audio path and is DC-coupled at the output. All this results
in a very detailed and transparent sound quality which challenges even
the most esoteric microphone preamps.
SPECS:
Gain (microphone): +16 to +64 dB
Gain (direct input): -4 to +44 dB
Frequency Response (gain=40 dB): 1.5 Hz to 500 kHz
(+0/-3 dB)
Maximum Output Level: +31 dBu
Maximum Input Level: +15 dBu
Input Impedance (microphone): 5.5 kOhms
Input Impedance (direct input): 2 Mohms
Noise (Rs=0 Ohms): -132 dB e.i.n.
Slew Rate: > 40 V/uS
CMRR (CMV=+10 dBu): 85 dB
Crosstalk: -130 dB
THD (+26 dBu, 100 kOhm): .0008%
Power Requirements: 120VAC, 60 Hz, 44 Watts
Dimensions (chassis):
W=17.4 in. (442 mm)
D =13.4 in. (341 mm)
H =1.74 in. (44.2mm)
Knob extension: 1 in. (25.4 mm)
Weight: 14.5 lbs. (6.6 kg)
Front Panel Detail
Download
Manual
Download
Brochure
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| "It's very quiet,
interacted nicely with the mics in my collection, and it
sounded like there wasn't a pre-amp at all - like a straight
wire with gain." Rip Rowan |
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| "I think of
it as a smooth preamp with a very slight colorization,
and once I've got it dialed into a session, there's not
a lot of messing around with
it. You can set it and forget it." Dick Hodgin |
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We have
three customers:
The Factory, The Store, and ultimately You.
Our “job description” in it's most
general form is:
“We do everything the factory would do.”
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